tag:blogger.com,1999:blog-371320802024-03-14T04:32:03.073+00:00Revista Cultura Entre CulturasDialogal entre cultura e saber, religião e espiritualidade, tradição e civilização, Entre é um âmbito situado, mas não localizável, entre tempo e eternidade, espaço e vacuidade, palavra e silêncio, discurso e percurso. É o lugar do não-lugar, entre tudo e tudo, entre tudo e o quase nada que há em tudo.Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.comBlogger1215125tag:blogger.com,1999:blog-37132080.post-87634244504438985382021-11-30T10:23:00.000+00:002022-06-30T11:10:09.460+01:00Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-9221372686164145222021-11-07T18:13:00.001+00:002021-11-07T18:13:13.596+00:00Borges, Inês da Conceição do Carmo / A Arquitetura Senhorial: Matriz da Sociabilidade, do Poder e da Cultura em Lamego nos séculos XVII e XVIII<p> <span style="text-align: justify;">A ARQUITETURA SENHORIAL: MATRIZ DA SOCIABILIDADE, DO PODER E DA CULTURA EM LAMEGO NOS SÉCULOS XVII E XVIII </span></p><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Tese no âmbito do Doutoramento em História da Arte, orientada pelo Professor Doutor António Manuel Filipe da Rocha Pimentel e apresentada ao Departamento de História, Estudos Europeus, Arqueologia e Artes da Faculdade de Letras da Universidade de Coimbra. Julho 2018. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Resumo </div><div style="text-align: justify;">Esta tese tem como finalidade o estudo da arquitetura senhorial enquanto matriz da sociabilidade, do poder e da cultura em Lamego nos séculos XVII e XVIII. O objeto de estudo é composto por um conjunto de edifícios classificados como arquitetura civil, na sua maioria barrocos. Devido à necessidade de restringir o nosso campo de investigação, selecionámos no território do Douro, a cidade de Lamego e as freguesias de Cambres, Penajoia, Samodães e Valdigem, situadas junto ao rio Douro. O período em análise compreende os séculos XVIIXVIII, com exceções pontuais, devido a vestígios anteriores, nas estruturas arquitetónicas e posteriores, no que diz respeito ao séc. XIX. A opção pela temática relativa à arquitetura civil tem como objetivo analisar o modo como esta se revela na articulação do espaço, enquanto elemento dinâmico da relação Cultura/Paisagem/Arquitetura. A sua expressão formal obedece a tipologias e são o testemunho dos valores que expressam para a sua História. Estas estruturas habitacionais procuraram um lugar de implantação próximo de cursos de água, abundantes na cidade e nas freguesias do nosso estudo. As casas nobres seguiram na sua edificação cinco vias fluviais: o Ribeiro de Coura, o Ribeiro das Nazes, o Ribeiro das Lages o Rio Balsemão, e o Rio Douro. Também por isto, as casas nobres têm exemplares da arquitetura da água nos seus jardins e terrenos, nos casos daquelas que estão inseridas em quintas. Trataremos nesta nossa dissertação, os objetivos, as fontes e as metodologias; o espaço na região demarcada e na cidade de Lamego, nomeadamente: a região demarcada de estudo (Lamego e freguesias voltadas para o rio Douro); a caracterização geográfica; Lamego nas corografias e nos dicionários geográficos no século XVIII, o espaço e os habitantes; o plano e a morfologia urbana; a estrutura arquitetónica da cidade, segundo as Memórias Paroquiais de 1758; a arquitetura senhorial em Lamego – os complexos edificados: as elites, nobreza e clero; os encomendadores: as famílias nobres; o clero; as dinâmicas de sociabilidade; os laços de parentesco, elementos do poder e difusores da cultura letrada; os projetos de arquitetura senhorial – apropriação do espaço em análise; arquitetos, artífices e trabalhadores, nomeadamente: entre a obra e o artista: arrematação e contrato; o estatuto socioprofissional; o arquiteto, mestres pedreiros, carpinteiros, artífices e trabalhadores/ mobilidade de quadros socioprofissionais; a estadia de Nicolau Nasoni; a casa nobre no concelho de Lamego, designadamente: as fontes da arquitetura senhorial (tratadística – entre a teoria e a prática); a organização espacial e configuração dos elementos arquitetónicos; casas com dois andares; com mais de dois andares. Elementos arquitetónicos. Paredes, fachadas, varandas; a sacralização do espaço doméstico. Oratórios e capelas; a casa nobre e o domínio vitivinícola: a Companhia Geral da Agricultura das Vinhas do Alto Douro – 1756; 1758 - 1761 (demarcações Pombalinas); 1788 (demarcações Marianas ou Subsidiárias da Primordial); as quintas – importantes unidades de exploração vitícola. Quatro casos exemplares: a quinta das Brolhas (freguesia de Valdigem); a quinta da Pacheca, a quinta do Paço do Monsul, a quinta dos Varais (estas ultimas na freguesia de Cambres). A análise da proliferação dos complexos edificados, das casas senhoriais, quer na cidade, quer nas freguesias selecionadas, demonstrou-nos o enaltecimento, a comprovação do status, dos seus proprietários/encomendadores, nobres e eclesiásticos, enquanto elementos privilegiados do poder e difusores da cultura letrada. Muitos destes foram autores de obras literárias em vários domínios do conhecimento. Estas elites interagiram com arquitetos, mestres pedreiros, carpinteiros, trabalhadores locais e de outras zonas do país, através da arrematação e dos contratos de construção que registaram nos notários da época. A casa no concelho de Lamego, através das fontes da arquitetura senhorial, nomeadamente da tratadística (entre a teoria e a prática), dá-nos conta da prática construtiva erudita nuns casos e noutros, “nas orlas do trabalho erudito.” A casa nobre revela-nos um espaço de delimitação sobreposto nalguns casos ao domínio vitivinícola, explanado no território pela Companhia Geral da Agricultura das Vinhas do Alto Douro: o que nos dá os reflexos da economia em que os seus morgadios existiam. E, atualmente a casa nobre revela-nos um espaço de delimitação em parte da área classificada como Património Mundial da Humanidade proclamado pela UNESCO, o Alto Douro Vinhateiro, Património da Humanidade, e a integração na Rota do Douro Ibérico - Rota Património Mundial. Muitas destas casas estão integradas em quintas – importantes unidades de exploração vitivinícola, nas freguesias da Sé de Lamego, nas freguesias de Cambres, Penajoia, Samodães e Valdigem. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">PALAVRAS-CHAVE: arquitectura, sociabilidade, poder, cultura, Lamego, Douro. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Abstract </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">This thesis aims to study the manorial architecture as a matrix of sociability, power and culture in Lamego in the 17th and 18th centuries. The study object consists of a set of buildings classified as civil architecture, most of them baroque. Given the need to restrict our field of research, we selected, in the Douro territory, the significant area of the city of Lamego and the region with the parishes of Cambres, Penajoia, Samodães and Valdigem, located near the Douro river. The period in question encompasses the 17th and 18th centuries with some occasional exceptions, due to previous remains, in architectural structures, and later remains, with respect to the 19th century. The purpose of choosing the subject matter of civil architecture is to study the way it reveals itself in the spatial articulation, as a dynamic element of the connection between Culture, Landscape and Architecture. Its formal expression obeys certain typologies which are the support and testimony of the values they express to their history. These housing structures have always looked for a place of establishment near streams, which are abundant in the city of Lamego and in the parishes mentioned in our study. Thus, the construction of the noble houses followed five waterways: the Coura stream, the Nazes stream, the Lages stream, the Balsemão river and the Douro river. Also for that reason, the noble houses have examples of water architecture in their gardens and lands, specifically the ones that are inside estates. In this dissertation, we will mention the purposes, the sources and the methodologies; the space in the demarcated region and in the city of Lamego, specifically the region that is the object of the study (Lamego and the parishes facing the Douro river); the geographical characterization; Lamego in the chorographies and geographical dictionaries of the 18th century, the space and the inhabitants; the urban layout and morphology; the city’s architectural structure, according to the Parochial Memories of 1758; the manorial architecture in Lamego – the built sites, namely: the elites, the nobility and the clergy; the commissioners: the noble families; the clergy; the dynamics of sociability; the kinship ties, elements of power and disseminators of literate culture; the manorial architecture projects – appropriation of the studied space; architects, artisans and workers, namely: between the work and the artist, adjudication and contract; the social and professional status; the architect, stonemasons, carpenters, artisans and workers/mobility of social and professional frameworks; Nicolau Nasoni’s stay; the noble house in the Lamego municipality, specifically the sources of manorial architecture (treatises – between theory and practice); the spatial organization and configuration of the architectural elements; two-floor houses. Houses with more than two floors. Architectural elements. Walls, façades, balconies; the sacralization of the domestic space. Oratories and chapels; the noble house and the viticulture domain, namely: the Companhia Geral da Agricultura das Vinhas do Alto Douro – 1756; 1758 - 1761 (“Pombalinas” demarcations); 1788 (“Marianas” demarcations or Subsidiaries of Primordial); the estates – important wine-producing units. Four sample cases: Quinta das Brolhas (Valdigem parish); Quinta da Pacheca (Cambres parish); Quinta do Paço do Monsul (Cambres parish); Quinta dos Varais (Cambres parish). The study of the proliferation of the built sites and noble houses, in the city of Lamego and in the selected parishes, showed us the enhancement and confirmation of status for the owners/commissioners, nobles and clerics as privileged elements of power and disseminators of literate culture. Many of those owners/commissioners were also the authors of literary works from several fields of knowledge in their time. These elites, the nobility and the clergy appropriated the researched space with their manorial architecture projects. Consequently, they interacted with architects, stonemasons, carpenters, local workers and workers from other parts of the country through adjudication and construction contracts that were registered with the notaries from that time, leaving a trail that reached the present. The house in the Lamego municipality, through the possible sources of manorial architecture, namely the treatises (between theory and practice), shows us its erudite construction practice in some cases, while in other cases it’s “on the edges of erudite work.” The noble and ecclesiastic house reveals a delimitation space that in some cases overlaps the viticulture domain, outlined in the territory by the Companhia Geral da Agricultura das Vinhas do Alto Douro, that provides us with reflections of the economy in which its “morgadios” existed. Currently, the noble and ecclesiastic house reveals a delimitation space partly in the area that has been classified as a World Heritage site by UNESCO, the Alto Douro Vinhateiro, and integration in the Rota do Douro Ibérico - World Heritage Route. Many of these houses are found inside estates – important wine-producing units in the parishes of Sé de Lamego, Cambres, Penajoia, Samodães e Valdigem. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">KEYWORDS: architecture, sociability, power, culture, Lamego, Douro. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><a href="https://estudogeral.sib.uc.pt/handle/10316/86933">https://estudogeral.sib.uc.pt/handle/10316/86933</a></div>MUSICA ESCARLATEhttp://www.blogger.com/profile/00362735079818870523noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-9563773797025546562021-10-31T12:59:00.000+00:002022-06-30T11:10:09.157+01:00Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-27149795386014757692021-09-03T12:09:00.004+01:002021-09-03T12:22:35.352+01:00Inês da Conceição do Carmo Borges / A Arquitetura Senhorial em Lamego dos séculos XVI a XVIII / Revista Monumentos 38, da DGPC<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXrkzrQOeFn0wgSFeBAvFIYtSB8ExJPOrkt6MM_gvfX39RdrDGJWujuvAlRM0YNCVNtpe6uvvyy5DnYnJvfwDJJdWTEh5vphXwXf7CYUlJseoiCA6eQ0IFIP-T58p4roM4DmHs2w/s960/232444489_4539891702687685_7087914596305756305_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXrkzrQOeFn0wgSFeBAvFIYtSB8ExJPOrkt6MM_gvfX39RdrDGJWujuvAlRM0YNCVNtpe6uvvyy5DnYnJvfwDJJdWTEh5vphXwXf7CYUlJseoiCA6eQ0IFIP-T58p4roM4DmHs2w/s320/232444489_4539891702687685_7087914596305756305_n.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjILimzalabGALq6wYQpTsPJtYKrK2RrHQA8Vf5FYAPI_-5cAhcj9qgFlIXJV-roHm_7KkGGGZE9zAprzqPHeBkghqcL9-75HPBoFK2Int0ve1wCqmHXC8NkdpPEVyf6mOxoJ_jbA/s960/233577645_4539891859354336_7419006186407670585_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjILimzalabGALq6wYQpTsPJtYKrK2RrHQA8Vf5FYAPI_-5cAhcj9qgFlIXJV-roHm_7KkGGGZE9zAprzqPHeBkghqcL9-75HPBoFK2Int0ve1wCqmHXC8NkdpPEVyf6mOxoJ_jbA/s320/233577645_4539891859354336_7419006186407670585_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM3o0TMqypA41a0nl9dHawcf6bheZzWeYNzCe9Gqww5-LwzTTORaTZDGc0hW_oo_htsW0EqpywPrWJmubDDmcQ9XQJH6_BhgktIZev5X3vy07kZdsyelyYYc4C3Af0rpw9iDfI3w/s960/231032433_4539892026020986_7454026804438018991_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM3o0TMqypA41a0nl9dHawcf6bheZzWeYNzCe9Gqww5-LwzTTORaTZDGc0hW_oo_htsW0EqpywPrWJmubDDmcQ9XQJH6_BhgktIZev5X3vy07kZdsyelyYYc4C3Af0rpw9iDfI3w/s320/231032433_4539892026020986_7454026804438018991_n.jpg" width="240" /></a></div><br /> <div><table cellpadding="0" cellspacing="0" style="background-color: white; color: dimgrey; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 12.8px; padding: 20px 20px 10px; text-align: center; width: 850.156px;"><tbody><tr><td colspan="3" style="text-align: left;"><h2 style="font-variant-caps: small-caps; font-variant-east-asian: normal; font-variant-numeric: normal; margin-bottom: 0px;"><span style="color: olive; font-size: medium;"><span class="resultsTitle" id="MainContent_SubSiteContent_ListPageContents_RepeaterListPageContents_lblTitle_11">A arquitetura senhorial em Lamego </span>dos séculos XVI a XVIII</span></h2></td></tr><tr><td colspan="2" style="text-align: left;" valign="top"><span class="resultsSummary" id="MainContent_SubSiteContent_ListPageContents_RepeaterListPageContents_lblSummary_11" style="color: black; text-align: justify;"><p style="line-height: 1.6em; margin-bottom: 10px;"><strong><span style="font-size: large;">Inês da Conceição do Carmo Borges</span></strong></p><p style="line-height: 1.6em; margin-bottom: 10px;"><span style="font-size: small;">As casas senhoriais de Lamego apresentam os seus valores estéticos e os vestígios das construções originais integrados em estruturas posteriores, que, por sua vez, foram alteradas por campanhas de obras efetuadas pelos seus proprietários nobres e eclesiásticos. Apesar deste <em>continuum</em>, e dos seus condicionalismos, as diversas entidades, variando de caso para caso, preservaram espaços quinhentistas que chegaram ao século XXI. Tratando-se de conjuntos de grande valorização para a cidade, os seus detentores veem com dificuldades, devido ao crescimento das próprias casas, a consolidação coerente do seu reconhecimento patrimonial e turístico.</span></p></span></td></tr></tbody></table></div><div><br /></div><div><br /><p></p><h2 class="productname" style="background-color: white; border-bottom: 1px solid rgb(0, 0, 0); color: #333333; font-family: "Nexa heavy", Arial, Helvetica, Geneva, sans-serif; font-size: 30px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0px 0px 20px; padding: 0.6em 15px 0.5em; position: relative; text-rendering: optimizelegibility;">Revista Monumentos nº 38</h2><div><p style="background-color: white; color: #666666; font-family: "Helvetica Neue", Arial, Helvetica, Geneva, sans-serif; font-size: 12px; line-height: 17px; margin: 0px; position: relative;"><strong>Dimensões:</strong> 24x32 cm; 238 pp.</p><p style="background-color: white; color: #666666; font-family: "Helvetica Neue", Arial, Helvetica, Geneva, sans-serif; font-size: 12px; line-height: 17px; margin: 0px; position: relative;"><strong>Local:</strong> Lisboa</p><p style="background-color: white; color: #666666; font-family: "Helvetica Neue", Arial, Helvetica, Geneva, sans-serif; font-size: 12px; line-height: 17px; margin: 0px; position: relative;"><strong>Edition:</strong> DGPC</p><p style="background-color: white; color: #666666; font-family: "Helvetica Neue", Arial, Helvetica, Geneva, sans-serif; font-size: 12px; line-height: 17px; margin: 0px; position: relative;"><strong>Data:</strong> 24 de Junho de 2021</p></div><div><br /></div><div><br /></div></div>MUSICA ESCARLATEhttp://www.blogger.com/profile/00362735079818870523noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-88675084626646111202021-05-03T18:10:00.005+01:002021-05-03T18:10:50.317+01:00Gestos & Fragmentos - Ensaio sobre os militares e o poder - EDUARDO LOURENÇO<iframe frameborder="0" height="270" src="https://youtube.com/embed/o6gurgCRApQ" style="background-image: url(https://i.ytimg.com/vi/o6gurgCRApQ/hqdefault.jpg);" width="480"></iframe><div class="" dir="auto"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_ma"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg"><div class="qzhwtbm6 knvmm38d"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q"><div dir="auto" style="text-align: start;">"Gestos & Fragmentos - Ensaio sobre os militares e o poder"</div><div dir="auto" style="text-align: start;">De Alberto Seixas Santos, com Otelo Saraiva de Carvalho, EDUARDO LOURENÇO, Robert Kramer, Portugal, 1982 – 90 min.</div><div dir="auto" style="text-align: start;">“(…) Gestos & Fragmentos [é] a mais poderosa figura de luto que nos ficou da Revolução de Abril. O filme assenta em três entrevistas: uma com Otelo Saraiva de Carvalho, o estratega do 25 de Abril, que evoluiu vertiginosamente, nos anos 74-75 dum socialismo moderado para a extrema esquerda mas radical; outra com Robert Kramer, o cineasta norte-americano que vivera em Portugal esses anos, ao lado dos grupos mais extremistas; a terceira com Eduardo Lourenço, o nosso intelectual de maior prestígio que sempre se distanciou de compromissos políticos ou de análises esquerdistas. Seixas Santos jogou subtilmente com as contradições de cada um deles (décor burguês da casa em que Otelo ainda faz inflamados discursos, a paisagem rural da aldeia natal de Eduardo Lourenço, os ícones da esquerda sobrepondo-se à raiva de Robert Kramer e sublinhando-lhe a estraneidade) e com a contradição abissal de todos aqueles gestos, uns como outros inscritos numa sublinhada nostalgia. [Com Brandos Costumes, este filme é] o mais denso retrato fílmico que nos ficou dos anos 70 portugueses (…)” (João Bénard da Costa in Alberto Seixas Santos, Cinemateca Portuguesa-Museu do Cinema, 2016).</div><div dir="auto" style="text-align: start;"><span><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Do6gurgCRApQ%26fbclid%3DIwAR0lfoLT2W6zRSvg9Ds9JOoEI1N5EqTriA8jWh43ZKaiQL1kmiywfV5_ywg&h=AT1f7GBEgw4bydORh_bJ4tky49u-FBSGpxDyC-_wsUZjvi_KHQ7rNbYh67jJuHaVHlOxkQcvqk3iu8ul-bd1A07zlQ0sei-B_6UcfXJAUMckxgD15r4AxSo6LJkJvPFPJw&__tn__=-UK-R&c[0]=AT3Jgd0PZW1g8ZLM_HmlVmjOu5zecb7kpy9B7UpaLpp79sbrkQ2gAcpvam746U6cuTCYQjAQRs63UVTgETUwKpArtKdKCNF-lBZNOD_w17SLa7t239AF_g-MUGV6P4MWeZjqLluNx8DG56JPoPAQnmCzA-cU7CSwwmGE5QqKqxnGHMWmp0o" rel="nofollow noopener" role="link" tabindex="0" target="_blank">https://www.youtube.com/watch?v=o6gurgCRApQ</a></span></div></div></span></div></div></div></div>Isabel Rosetehttp://www.blogger.com/profile/09014944075290163958noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-70465010688401166812021-05-01T21:01:00.000+01:002021-05-01T21:01:00.885+01:00Eduardo Lourenço, "Heterodoxia"(s).<iframe frameborder="0" height="360" src="https://youtube.com/embed/0EpLlm7_kpg" style="background-image: url(https://i.ytimg.com/vi/0EpLlm7_kpg/hqdefault.jpg);" width="480"></iframe>Isabel Rosetehttp://www.blogger.com/profile/09014944075290163958noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-3866467455992798292021-04-11T21:24:00.003+01:002021-04-11T21:24:14.554+01:00"VOZES DO PENSAMENTO" e o "25 de Abril", por Isabel Rosete<iframe frameborder="0" height="270" src="https://youtube.com/embed/xhWhNK5GYZw" style="background-image: url(https://i.ytimg.com/vi/xhWhNK5GYZw/hqdefault.jpg);" width="480"></iframe><div class="" data-block="true" data-editor="ejilp" data-offset-key="etkbr-0-0"><div class="_1mf _1mj" data-offset-key="etkbr-0-0"><span data-offset-key="etkbr-0-0"><span data-text="true"> </span></span></div><div class="_1mf _1mj" data-offset-key="etkbr-0-0"><span data-offset-key="etkbr-0-0"><span data-text="true">Minhas Senhoras e meus Senhores,</span></span></div></div><div class="" data-block="true" data-editor="ejilp" data-offset-key="8g0f-0-0"><div class="_1mf _1mj" data-offset-key="8g0f-0-0"><span data-offset-key="8g0f-0-0"><span data-text="true">Desculpem a minha ignorância: iremos comemorar que/qual "25 de Abril", face ao estado nacional vigente?</span></span></div></div><div class="" data-block="true" data-editor="ejilp" data-offset-key="ea4gl-0-0"><div class="_1mf _1mj" data-offset-key="ea4gl-0-0"><span data-offset-key="ea4gl-0-0"><span data-text="true">- Os discursos demagógicos repetidos, ano após ano?; - as paradas militares sempre iguais a si mesmas, tais como as pompas e as circunstâncias?; - a farsa da "Democracia"?; A erosão da “ Democracia”?; - a injustiça dos mega-processos-crime mediáticos?; - a desigualdade abissal entre as classes sociais?; - a pobreza dos muitos pobres e a riqueza dos poucos ricos?; - o desemprego crescente?; - a retirada dos direitos dos que trabalham, depois de terem sido adquiridos?; - a crise sanitária, económica, social, cultural e educacional?; - os cravos já murchos e sem cor?; - as recordações das promessas não cumpridas?; - o declínio visível do Povo português?; - a ausência da noção de "Pátria" que não é "Mátria"?</span></span></div></div><div class="" data-block="true" data-editor="ejilp" data-offset-key="2cdlv-0-0"><div class="_1mf _1mj" data-offset-key="2cdlv-0-0"><span data-offset-key="2cdlv-0-0"><span data-text="true">Se assim for, eu não comemorarei o "25 de Abril"! Não nos alimentados nem crescemos à sombra de símbolos!</span></span></div></div><div class="" data-block="true" data-editor="ejilp" data-offset-key="c5nq3-0-0"><div class="_1mf _1mj" data-offset-key="c5nq3-0-0"><span data-offset-key="c5nq3-0-0"><span data-text="true">Isabel Rosete </span></span></div></div>Isabel Rosetehttp://www.blogger.com/profile/09014944075290163958noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-33230841741735266212021-04-03T22:13:00.000+01:002021-04-03T22:13:02.414+01:00Encontro da Fundação 2014 "Presente no Futuro" - Liberdade em Portugal<iframe frameborder="0" height="270" src="https://youtube.com/embed/LcGpo8nnP8k" width="480"></iframe>Isabel Rosetehttp://www.blogger.com/profile/09014944075290163958noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-2894630121814207432021-04-03T20:55:00.002+01:002021-04-03T20:55:27.750+01:00"VOZES DO PENSAMENTO" e o "25 de Abril", por Isabel Rosete<iframe frameborder="0" height="270" src="https://youtube.com/embed/xhWhNK5GYZw" style="background-image: url(https://i.ytimg.com/vi/xhWhNK5GYZw/hqdefault.jpg);" width="480"></iframe>Isabel Rosetehttp://www.blogger.com/profile/09014944075290163958noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-61482033341691400992020-09-25T08:43:00.000+01:002022-06-30T11:10:09.323+01:00Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-52127309192916769662020-07-31T20:43:00.001+01:002020-07-31T20:43:56.074+01:00Elishaim - Carlota de Aragão. Oráculo Do Labirinto à Alquimia.<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxxVmgKwd04wsBXkItImTLoMNEeMt7gxdfrofDYN3WKqtjtbJtPdIDejbKi0DU9hCTMezf1zpcuxfk' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEPn9cg42Otgmsc9QZffgW6PDLgbynqykdiQcjbAAao_WViMm74iHnYJ-dWC84jvwCkVEllj7GThn5XYWOea4nqgKSItF8LnTlwKLFb9MjMxsv86XYClHN41AjTuam2RjEwjHQA/s1600/0001+%25283%2529+-+C%25C3%25B3pia+b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1183" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEPn9cg42Otgmsc9QZffgW6PDLgbynqykdiQcjbAAao_WViMm74iHnYJ-dWC84jvwCkVEllj7GThn5XYWOea4nqgKSItF8LnTlwKLFb9MjMxsv86XYClHN41AjTuam2RjEwjHQA/s640/0001+%25283%2529+-+C%25C3%25B3pia+b.jpg" width="472" /></a></div>
<br />MUSICA ESCARLATEhttp://www.blogger.com/profile/00362735079818870523noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-11514943488979530862020-01-01T15:31:00.004+00:002020-01-01T18:52:47.600+00:00<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 22.0pt;">ESTUDO GERAL<o:p></o:p></span></b></div>
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<span style="color: #002060; font-size: 16.0pt;">dez./jan.<span style="mso-tab-count: 1;"> </span>2020<span style="mso-spacerun: yes;">
</span><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span><b style="mso-bidi-font-weight: normal;">Nº119<o:p></o:p></b></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #bc149c; font-size: 16.0pt;">«No Canto IX dos Lusíadas, Ilha dos
Amores, «Camões dá este conselho pedagógico aos portugueses: os meus amigos, se
querem alcançar o Céu na terra, tratem do seu navio, mantendo-o em ordem, com
disciplina a bordo, porque um dia a Ilha dos Amores aparece». - Agostinho da
Silva<o:p></o:p></span></i></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 18.0pt;">Sumário<span class="MsoHyperlink"><span style="color: #002060; text-decoration: none;"><o:p></o:p></span></span></span></b></div>
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<span style="mso-bookmark: _Hlk528847028;"><!--[if !supportLists]--><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;"><b>1.</b><span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--></span><a href="https://luis-eg.blogspot.com/2020/01/editorial.html"><span style="mso-bookmark: _Hlk528847028;"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">Editorial</span></span></a><span style="mso-bookmark: _Hlk528847028;"><span style="color: blue; font-size: 14.0pt;"><o:p></o:p></span></span></div>
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<span style="mso-bookmark: _Hlk528847028;"><!--[if !supportLists]--><span class="MsoHyperlink"><span style="color: windowtext; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; text-decoration: none; text-underline: none;"><span style="mso-list: Ignore;"><b>2.</b><span style="font: 7.0pt "Times New Roman";">
</span></span></span></span><!--[endif]--></span><a href="https://luis-eg.blogspot.com/2019/12/um-anjo.html"><span style="mso-bookmark: _Hlk528847028;"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">Um Anjo – Ana Pereira<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></span></a></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">canalização<o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;"><b>3.</b><span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/12/o-rio.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">O Rio – Kity Amaral</span></a><span style="font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">infografia<o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;"><b>4.</b><span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/12/graffitar-literatura-xxvii.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">A Póvoa de
Arquimedes – Luís Souta</span></a><span style="color: #002060; font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">graffitar a literatura<o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span class="MsoHyperlink"><span style="color: windowtext; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; text-decoration: none; text-underline: none;"><span style="mso-list: Ignore;"><b>5.<span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; line-height: normal;"> </span></b><span style="font: 7.0pt "Times New Roman";">
</span></span></span></span><!--[endif]--><span style="font-size: 14.0pt;"><a href="https://luis-eg.blogspot.com/2019/12/historias-da-nossa-terra-2.html"><span style="text-decoration: none; text-underline: none;">Histórias da Nossa Terra (2) –
Luís Santos<o:p></o:p></span></a></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-size: 12.0pt;">estórias</span></i><a href="https://luis-eg.blogspot.com/2019/09/a-sagrada-familia.html"></a><i style="mso-bidi-font-style: normal;"><span style="color: black; font-size: 12.0pt;"><o:p></o:p></span></i></div>
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</span></span></span></span><!--[endif]--><span style="font-size: 14.0pt;"><a href="https://luis-eg.blogspot.com/2019/12/real-irreal-surreal-376.html"><span style="text-decoration: none; text-underline: none;">O Cavaleiro Azul, de Wassily
Kandinsky – António Tapadinhas (sel.)<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></a></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">real…irreal…surreal<o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;"><b>7.<span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; line-height: normal;"> </span></b><span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/12/o-diario-da-matilde-o-meu-primeiro-ano_24.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">O Diário da
Matilde – Luís F. de A. Gomes</span></a><span style="font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">diarística<o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></i></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 14.0pt;">---------------------------------Fim de
Sumário----------------------------------<o:p></o:p></span></b></div>
Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-57300722362537077032019-11-24T11:04:00.001+00:002019-11-24T11:04:18.329+00:00Leonard Cohen - The Gypsy's Wife (Live in London)<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/QiKJqXk94NM" width="459"></iframe>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-38554860166637446062019-11-21T00:27:00.001+00:002019-11-21T00:27:58.061+00:00Camané & Mário Laginha - Com Que Voz [Official Music Video]<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/EM008zcvKg0" width="480"></iframe>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-87091425978265207742019-11-09T22:38:00.001+00:002019-11-09T22:38:41.500+00:00Bright Horses<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/WguHrM0y_cU" width="459"></iframe>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-53571917064930541462019-10-02T09:08:00.000+01:002019-10-02T09:08:05.289+01:00EG #116<br />
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 22.0pt;">ESTUDO GERAL<o:p></o:p></span></b></div>
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<span style="color: #002060; font-size: 16.0pt;">set/out<span style="mso-tab-count: 1;"> </span>2019<span style="mso-spacerun: yes;">
</span><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span><b style="mso-bidi-font-weight: normal;">Nº116<o:p></o:p></b></span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #bc149c; font-size: 16.0pt;">"Um dia despertamos e a vida resume-se a um imenso ponto de
exclamação." </span></i><span style="color: #bc149c; font-size: 16.0pt;">(Paulo
Borges)<o:p></o:p></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 18.0pt;">Sumário<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-bottom: .0001pt; margin: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: 0cm;">
<a href="https://www.blogger.com/null" name="_Hlk528847028"><!--[if !supportLists]--><span class="MsoHyperlink"><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; text-decoration: none; text-underline: none;"><span style="mso-list: Ignore;">1.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></b></span><!--[endif]--></a><a href="https://luis-eg.blogspot.com/2019/09/as-nossas-cores-1.html"><span style="mso-bookmark: _Hlk528847028;"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">As Nossas Cores – António Tapadinhas<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></span></a></div>
<span style="mso-bookmark: _Hlk528847028;"></span>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">Exposição de pintura - vídeo<o:p></o:p></span></i></div>
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<br /></div>
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<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">2.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></b><!--[endif]--><a href="https://luis-eg.blogspot.com/2017/08/emparedado.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">(Des)EMPAREDADO
– Luís Souta</span></a><span style="font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">Reversão urbanística<o:p></o:p></span></i></div>
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<br /></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: 0cm;">
<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">3.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></b><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/09/um-poema-de-manuel-dangola-de-sousa.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">Refugiados –
Manuel (D’Angola) de Sousa</span></a><span style="color: #002060; font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">Poesia<o:p></o:p></span></i></div>
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<br /></div>
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<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">4.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></b><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/09/uma-biblioteca-em-construcao-7.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">Uma
Biblioteca em Construção – Cristiana Penna de Amaral</span></a><span style="color: #002060; font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-size: 12.0pt;">Livros</span></i><a href="https://luis-eg.blogspot.com/2019/09/a-sagrada-familia.html"></a><i style="mso-bidi-font-style: normal;"><span style="color: black; font-size: 12.0pt;"><o:p></o:p></span></i></div>
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<br /></div>
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<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">5.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></b><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/09/o-dario-da-matilde-o-meu-primeiro-ano.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">O Diário da
Matilde – Luís F. de A. Gomes</span></a><b style="mso-bidi-font-weight: normal;"><span style="color: blue; font-size: 14.0pt;"><o:p></o:p></span></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">Diarística<o:p></o:p></span></i></div>
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<br /></div>
<div class="MsoListParagraph" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 25.1pt; margin-right: 0cm; margin-top: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">6.<span style="font: 7.0pt "Times New Roman";"> </span></span></span></b><!--[endif]--><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span><a href="https://luis-eg.blogspot.com/2019/09/a-sagrada-familia.html"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;">A Sagrada
Família – Luís Santos</span></a><span style="font-size: 14.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">Prosa
ilustrada<o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></i></div>
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<!--[if !supportLists]--><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: #1f497d; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><span style="mso-list: Ignore;">7.<span style="font: 7.0pt "Times New Roman";">
</span></span></span></i></b><!--[endif]--><a href="https://luis-eg.blogspot.com/2019/09/real-irreal-surreal-365.html"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; text-decoration: none; text-underline: none;"><span style="mso-spacerun: yes;"> </span>Barco
Desaparecido – José Júlio Sousa Pinto (António Tapadinhas)</span></i></a><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-left: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">real-irreal-surreal
(365)<o:p></o:p></span></i></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-size: 14.0pt;">---------------------------------Fim de
Sumário----------------------------------<o:p></o:p></span></b></div>
<br />Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-42771232911241653652019-06-03T14:00:00.001+01:002019-06-03T14:00:26.671+01:00A redescoberta da espiritualidade ou cultura contemplativa<a href="http://pauloborges.visaopura.pt/a-redescoberta-da-espiritualidade-ou-cultura-contemplativa/#.XPUZ00xplyY.blogger">A redescoberta da espiritualidade ou cultura contemplativa</a>: A redescoberta da espiritualidade e da cultura contemplativa, nas sabedorias milenares da humanidade e nas suas sérias actualizações contemporâneas, é já um movimento de fundo – como o comprova o crescimento exponencial de praticantes de meditação, yoga e outras artes contemplativas - que começa a dPaulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-88137450749779995632018-11-24T23:13:00.000+00:002020-06-04T23:35:14.223+01:00Maçussa <div class="separator" style="clear: both; text-align: center;">
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<br />osolhosdeumaimagemhttp://www.blogger.com/profile/18100750143026709373noreply@blogger.com02065 Maçussa, Portugal39.1954458 -8.863845699999998839.1462213 -8.9445266999999991 39.2446703 -8.7831646999999986tag:blogger.com,1999:blog-37132080.post-77445786367602887382018-11-20T11:36:00.001+00:002018-11-20T11:36:51.751+00:00Só um novo xamanismo, não tribal, mas cósmico, nos pode salvar<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcnqOZIr5r8mC0us8EWCnIGyXC6BIPLOsYNs6z-FpmDSCmGMNW5oUtIWd87CkJeXdnnK-YcOY6KV-wo7Sg0luxgWl76Fj2dUF4UPVCwzz1ZHZZKe79jl1hWizBdiyzQ06SijeZhQ/s1600/A+Roda+da+Vida.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcnqOZIr5r8mC0us8EWCnIGyXC6BIPLOsYNs6z-FpmDSCmGMNW5oUtIWd87CkJeXdnnK-YcOY6KV-wo7Sg0luxgWl76Fj2dUF4UPVCwzz1ZHZZKe79jl1hWizBdiyzQ06SijeZhQ/s640/A+Roda+da+Vida.jpg" width="640" height="528" data-original-width="792" data-original-height="654" /></a></div><br />
<b>O maior problema da sociedade ocidental e da sua civilização globalizada é resultar da perda da função xamânica das culturas indígenas, que também existiram no Ocidente, com o consequente fechamento da percepção profunda da imensa diversidade e alteridade do real. Deixou de haver mediadores e mediações entre o mundo humano e o infinitamente mais vasto mundo não-humano dos animais, energias e espíritos da natureza, deixou de haver quem sinta as presenças e entenda as linguagens da terra, do céu, dos ventos, dos rios e dos oceanos, dos astros, das árvores, das pedras, das montanhas e das múltiplas populações não-humanas do cosmos, quem faça a tradução mútua e ajude a estabelecer um regime harmonioso de trocas entre humanos e não-humanos e entre a natureza visível e invisível, equilibrando a predação humana do mundo mediante as oferendas rituais e a redistribuição energética das práticas espirituais. Os xamãs deram em geral lugar a sacerdotes voltados para um além-mundo e focados apenas na salvação dos humanos, a filósofos perdidos em vãs especulações intelectuais, a tecnocientistas ávidos de objectivar e manipular o mundo natural e a políticos ocupados com a gestão egotista das questões humanas e a expansão do domínio humano sobre a Terra mediante uma economia produtivista. A política nasceu mal e acaba hoje pior, como coisa das cidades (polis) e dos humanos desconectados da Natureza e cada vez mais desvairados nos seus apetites incontidos de consumo, verdadeiro motor da religião do crescimento económico ilimitado, o terrorismo e fundamentalismo que ninguém ousa chamar pelo nome. O resultado deste processo milenar é a destruição da biodiversidade, a devastação dos recursos naturais e a iminência de colapso ecológico, a par da perda de sentido para a vida humana, que é a patologia interior ainda mais destrutiva do que os cancros e demais doenças originadas pelo mesmo processo de afastamento da grande Natureza e do convívio original com os povos e energias não-humanos da sua dimensão oculta aos nossos sentidos cada vez mais embotados.<br />
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Numa civilização em auto-destruição acelerada é possível, como admite o antropólogo brasileiro Viveiros de Castro, que no fundo, e paradoxalmente, sejam os indígenas, tão dizimados pela civilização moderna, os únicos que se venham a salvar, por se manterem ainda em comunhão com as populações e recursos não-humanos do mundo. Mas indígenas somos nós todos, se recuperarmos o nosso imenso potencial sempre presente, o da percepção profunda da natureza invisível e da capacidade de restabelecermos trocas harmoniosas com a imensa comunidade cósmica dos viventes mediante a energia das oferendas, das práticas espirituais e de uma vida simples mas festiva, de abundância frugal. Só um novo xamanismo, não tribal, mas cósmico, nos pode salvar.</b>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-27408100155865890012018-07-02T13:41:00.000+01:002018-07-02T13:41:42.968+01:00Entrou então na via do não-caminho<b>Durante muito tempo pensou que a vida era um caminho para algo de maior e de melhor. Até que descobriu que a vida era já e desde sempre a expressão do que há de maior e de melhor. A manifestação da grande perfeição natural de todas as coisas. Nos sons da casa. Nas vozes da rua. No voo da mosca. Nos gritos das gaivotas. Nas mínimas sensações a percorrer o corpo. No íntimo de cada célula. Entrou então na via do não-caminho. E, por não o procurar, não pôde deixar de ser feliz.<br />
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- Livro da Não Via</b>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-24583334987824167472018-06-13T12:07:00.001+01:002018-06-13T12:07:54.497+01:00"Gente Esencial": Brother David charla con Virginia Gawel y Fabiana Fond...<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/mifql9hIyE8" width="480"></iframe>Paulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-15742256708384958842018-06-07T13:54:00.000+01:002018-06-07T13:54:22.829+01:00A Poesia de Manuel (D'Angola) de Sousa<div align="center" class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px; text-align: center;">
<b><span lang="PT" style="color: #c0504d; font-family: Calibri, sans-serif; font-size: 11pt;">1.<u></u><u></u></span></b></div>
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<b><span lang="PT" style="color: #c0504d; font-family: Calibri, sans-serif; font-size: 11pt;">“Encantado De Vento Em Pôpa Pela Ilusão Encaixotada De Cantos Fluídicos Espirituais”<u></u><u></u></span></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Encantam-me os cantos e os desencantos da desilusão<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Encaixo-me dentro de caixas e caixotes de cartão pré-reciclados<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Desinibo-me de inibições e exibições pouquíssimo ambiciosas<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Desarmo-me de armas e munições de pólvora sêca atómica<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Disparo balas explosivas e os próprios canhões a reacção<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Desloco-me materialmente para locais deslocalizados<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">E ainda vou de vento em pôpa sem proa ou leme ou velas<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Subo ao mastro principal sempre a escorregar por ele a baixo<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Seco o fluido rubro das veias e dou-o a beber aos vampiros do alheio<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Descontrai-me imenso ver a carteira vazia cada vez mais contraída<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Monto a besta quer queira ela ou não e desmonto-a peça por peça<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Alego na escrita mural de parede de só fazer recurso a alegorias<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Uso parábolas de desígnios feitos em contrafacção por profetas falsos<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Entro em contradição e teimosia plenas em função das metáforas<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Contradigo o que digo de olhos fechados com os olhos abertos<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Faço desmoronar a ideia fixa e movo-me verbalmente por afinidades<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Início o inicio de uma frase com paradoxos e findo-a sem lógica alguma<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Rompo com o passado das sentenças desprovidas de sentido figurado<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Desfiguro-me facialmente através de gestos de irrelevante significado<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Fecho a fonte das origens primordiais e desligo a correnteza espirita…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #604a7b; font-family: Calibri, sans-serif; font-size: 11pt;">Encerro por momentos o fluxo dos sonhos mal sonhados e reinicio o programa elementar…<u></u><u></u></span></i></b></div>
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<b><span lang="PT" style="color: #cc9900; font-family: Calibri, sans-serif; font-size: 11pt;">Escrito a 5 de Junho de 2018, por Manuel (D’Angola) de Sousa, em Luanda, Angola, em Homenagem aos Afoitos, Corajosos e Aventureiros da Vida e dos que enfrentam Riscos e outros Perigos com o peito abertamente e com a maior das normalidades e sem que isso pareça constituir algo por aí além…<u></u><u></u></span></b></div>
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<b><span lang="PT" style="color: #cc9900; font-family: Calibri, sans-serif; font-size: 11pt;">“Aos que normalmente e de forma muito natural, são heróis das iniciativas da Vida, e que, assim, a ajudam a mudar e a evoluir…”<u></u><u></u></span></b></div>
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<b><span lang="PT" style="color: #632523; font-family: Calibri, sans-serif; font-size: 11pt;">2.<u></u><u></u></span></b></div>
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<b><span lang="PT" style="color: #632523; font-family: Calibri, sans-serif; font-size: 11pt;">“Da Verdade E Da Realidade Em Duvida Ao Invisível Azimute Da Irreflexão Ilimitada…”<u></u><u></u></span></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Já não sei se o diga ou não!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">A verdade já não me soa mais ao que devia ser!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Fico agora confuso…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Duvido amiúde disto tudo…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Tenho a própria realidade posta em questão!...<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Transplanto a sêde e a fome para outra ocasião…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Busco respostas em tudo o que mexe…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Movimento o ego…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Centralizo-me no umbigo…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Perco o fio à meada e nada sei mais!…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Quiçá vegete tanto e tão pouco!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Navegue sem rumo definido!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Sem destino ou azimute!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Saio tão simplesmente dos limites do tempo…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Sou um nada ou um ninguém e um que nunca fui ou foi!…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #e46c0a; font-family: Calibri, sans-serif; font-size: 11pt;">Vejo-me espelhado na invisível inflexão interior sem qualquer reflexão exterior…<u></u><u></u></span></i></b></div>
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<b><span lang="PT" style="color: #4f6228; font-family: Calibri, sans-serif; font-size: 11pt;">“Em resiliente e persistente busca de uma Orientação Consciente e da/pela/na Plenitude da Verdade e da/na Realidade…”<u></u><u></u></span></b></div>
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<b><span lang="PT" style="color: #4f6228; font-family: Calibri, sans-serif; font-size: 11pt;">Escrito a 4 de Junho de 2018, em Luanda, Angola, por Manuel (D’Angola) de Sousa, em data dos nascimentos de meu Avo Daniel de Sousa (transitado há alguns anos atrás), nascido em São Martinho do Porto, Portugal, e de meu Filho mais velho, Luis Daniel Silva de Sousa, nascido em Luanda, Angola<u></u><u></u></span></b></div>
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<b><i><span lang="PT" style="color: #1f497d; font-family: Calibri, sans-serif; font-size: 11pt;">3.<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #1f497d; font-family: Calibri, sans-serif; font-size: 11pt;">“Hipotético Ser Aos Poucos…”<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #984807; font-family: Calibri, sans-serif; font-size: 11pt;">Nada sou e hipotético sou e sei disso!<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #984807; font-family: Calibri, sans-serif; font-size: 11pt;">Patético ando e tresando aos poucos…<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #984807; font-family: Calibri, sans-serif; font-size: 11pt;">Escabeceio no meio de um só seio<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #984807; font-family: Calibri, sans-serif; font-size: 11pt;">Parece que ensurdeço com a falta de barulho<u></u><u></u></span></i></b></div>
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<b><i><span lang="PT" style="color: #984807; font-family: Calibri, sans-serif; font-size: 11pt;">Ou será que enlouqueço antes de tudo?...<u></u><u></u></span></i></b></div>
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<b><span lang="PT" style="color: #403152; font-family: Calibri, sans-serif; font-size: 11pt;">Escrito a 4 de Junho de 2018, ao início da madrugada, em Luanda, Angola, por Manuel (D’Angola) de Sousa, em semelhança ao estilo dos Hakai Japoneses… e em Homenagem ao singelo Homem Divino, que cada um de nos reflecte e representa…~</span></b></div>
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Estudo Geralhttp://www.blogger.com/profile/17905487836368583847noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-37714819761188614572018-03-17T16:42:00.000+00:002018-03-17T16:42:03.635+00:00Os Espaços na Criação Literária de Branca de Gonta Colaço. Palestra pela Dr.ª Anabela de Campos Salgueiro e Dr.ª Inês da Conceição do Carmo Borges, no Auditório da Biblioteca Municipal de Santo Tirso, 10 de Março de 2018, 21H, integrado no Programa do Festival Literário “Poesia Livre…Poesia no Feminino 2018” – Santo Tirso.<div class="separator" style="clear: both; text-align: center;">
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<br />MUSICA ESCARLATEhttp://www.blogger.com/profile/00362735079818870523noreply@blogger.com1tag:blogger.com,1999:blog-37132080.post-38666402548955542702018-01-19T20:06:00.002+00:002018-01-19T20:09:09.649+00:00"Estrada da Luz. Obra Poética e Iconográfica de Branca de Gonta Colaço", por João Gomes Esteves, Historiador e Investigador das Faces de Eva, Estudos sobre a Mulher, na Revista Bica, n.º3 Inverno de 2018<div class="separator" style="clear: both; text-align: center;">
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Artigo intitulado "Estrada da Luz. Obra Poética e Iconográfica de Branca de Gonta Colaço", por João Gomes Esteves, Historiador e Investigador das Faces de Eva, Estudos sobre a Mulher, na Revista Bica, n.º3 Inverno de 2018, páginas 156-157. Sobre a obra Estrada da Luz. Obra Poética e Iconográfica de Branca de Gonta Colaço, de Anabela de Campos Salgueiro e Inês da Conceição do Carmo Borges, Editora Palimage, agosto de 2017.</div>
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MUSICA ESCARLATEhttp://www.blogger.com/profile/00362735079818870523noreply@blogger.com0tag:blogger.com,1999:blog-37132080.post-42476015803052590462018-01-02T12:36:00.001+00:002018-01-02T12:36:40.470+00:00CAMINHAR CONSCIENTE<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/UMx_Tf_PWto" width="480"></iframe><br />
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Não somos nós que caminhamos no mundo<br />
mas sim o mundo que caminha em nósPaulo Borgeshttp://www.blogger.com/profile/06481949356711352215noreply@blogger.com0